Gibson SJ-200 60's Original - VS

Introduced in 1937, the Gibson SJ-200 quickly became one of the most iconic acoustic guitars in history, earning the nickname "King of the Flat-Tops" due to its generous dimensions, authoritative sound, and immediately recognizable aesthetics. Over the decades, it has been chosen by legendary artists across diverse musical genres, helping to define the sound of entire eras and solidifying its status as a benchmark in the high-end acoustic guitar market.

The Gibson SJ-200 60s Original faithfully reproduces the specifications of the SJ-200 as it appeared in the 1960s, a golden era during which this model was played by musicians such as Bob Dylan, George Harrison, Pete Townshend, and Jimmy Page. This version celebrates that historical phase, replicating the materials, finishes, and construction details that made the SJ-200 an indispensable instrument both in the studio and on stage.

The solid Sitka spruce top is paired with AAA flamed maple back and sides, a combination that ensures an excellent blend of projection, clarity, and dynamic response.

The two-piece maple neck combines a traditional Round profile with a nut width of 1.687”, a historically accurate measurement for SJ-200s of the era, providing smooth playability and easier access to chords in the lower positions.

The rosewood fingerboard offers extremely comfortable playability and is visually enhanced by the refined "Graduated Crown" inlays.

Designed to meet the needs of contemporary guitarists, the SJ-200 60s Original is equipped with an L.R. Baggs™ VTC amplification system, which includes an under-saddle pickup and a preamp with volume and tone controls discreetly positioned inside the soundhole. This configuration ensures a natural and balanced sound, making the guitar immediately ready for studio and live use.

The Gibson SJ-200 60s Original represents a perfect balance between historical fidelity and modern functionality. An acoustic guitar with a strong sonic and aesthetic character, capable of evoking the charm of the 1960s while maintaining the reliability required by today’s musicians.